Newsletters
This is very late as I’ve just been very sick with Covid (yes, it’s still out there) but I wanted to summarise the major themes from the ‘Conversations’ section of the recent Cinevesture International Film Festival (CIFF, March 27-31) in Chandigarh, India. Cinevesture, which comprises the festival, a
Chinese Speaking
It’s taken me a while to gather my thoughts on Filmart and what is currently going on in Hong Kong. More on that below. First a quick introduction to a new event in India, Cinevesture International Film Festival, which kicks off in the city of Chandigarh next week. And
Newsletters
A short newsletter this week as I’m busy prepping Deadline’s Filmart online dailies, but wanted to share a few things: Firstly, I’ve finally updated the Buzz List of projects coming out of Southeast Asia, available here, and you can see that this continues to be one of
Korea & Japan
As part of a series of Asian market overviews in the run-up to Filmart, Streamlined is looking at the current box office situation in India and Japan, along with the upcoming release schedule for local films in both markets. Streamlined’s previous edition, which focused on Korea, can be found
Chinese Speaking
Streamlined has only been offline for one month, but in that time, it's become clear that we're having a challenging start to the year: war and politics are casting a shadow over the on-going Berlin film festival; global streamers are continuing their great local-language contraction, with
Middle East
This edition of Streamlined is taking another look at film funds and project markets in Asia and the Middle East before going on a break until after Lunar New Year. Red Sea Fund Impact On Saudi & Regional Cinema As promised, I’m returning to the subject of Saudi Arabia’
Korea & Japan
I know I promised to cover Red Sea Fund in more depth in this edition, but we’ve been overtaken by events in the world of funds, at least in Taiwan, so I’m waiting for a few things to shake out before returning to that subject later this week.
Middle East
For the last edition of 2023, Streamlined is staying true to it name and purpose by streamlining all the news out of the autumn 2023 season of labs, project markets and funding announcements in Asia, Africa and the Middle East. Funding for cinema from these regions through government subsidies and
Middle East
As promised, this edition of Streamlined concludes a two-part deep dive into Taiwan, looking at series production; reasons behind the soft power push; and what Taiwan is wisely not doing as it positions itself as a global production hub. The first part focused on co-production funding for features. I’ve
Chinese Speaking
Taiwan was one of the few territories that emerged from the pandemic relatively unscathed. As an island, it was relatively easy for the government to secure the borders to control the spread of Covid, so production carried on more or less uninterrupted, and cinemas mostly remained open during the pandemic.
Chinese Speaking
Hardly anyone in North America or Europe seems interested in working with mainland China’s film and TV industries these days. Even before China retreated behind a literal and metaphorical wall during the pandemic, too many fingers had been burned, too many deals never materialised and too many projects scuppered
Korea & Japan
It’s been far too long since I sent out an edition of Streamlined, thanks to a crazy travel schedule with trips to Manila and Jakarta, followed by back-to-back festivals. I’ve been pumping it out for Deadline, but taking a moment here to summarise some recent impressions from festivals