January 8, 2024 KOREA & JAPAN / NEWSLETTERS / SE-ASIA Asia 2023 Box Office Round-Up: Local Hits, Superhero Fatigue & Why Taylor Swift Is The New Harry Potter
December 23, 2023 MIDDLE EAST / NEWSLETTERS / SE-ASIA Funding, Labs & Project Markets Round-Up 2023: Asia, Africa & Middle East
December 12, 2023 CHINESE-SPEAKING / MIDDLE EAST / NEWSLETTERS Red Sea Film Festival; Taiwan’s Funding & Global Production Hub Status: Part Two
November 29, 2023 CHINESE-SPEAKING / NEWSLETTERS / SE-ASIA Taiwan’s Funding & Rising Status As Global Production Hub: Part One
November 16, 2023 CHINESE-SPEAKING / NEWSLETTERS China Market Update: Mainstream Recovery, Marvel & Main Melody Fatigue, Chinese Indies & Streamers
October 27, 2023 KOREA & JAPAN / NEWSLETTERS / SE-ASIA Busan Talking Points: Korean Box Office Blues; Netflix Effect & Southeast Asia Rising
August 19, 2023 CHINESE-SPEAKING / NEWSLETTERS Inside Mainland China’s Scorching Hot Box Office Summer
July 29, 2023 NEWSLETTERS / SE-ASIA US Strikes Impact On International Production: Whose Stories Are We Telling Anyway?
May 31, 2023 CHINESE-SPEAKING / MIDDLE EAST / NEWSLETTERS / SOUTH ASIA Cannes 2023 Recap Part Two: China’s Return, Saudi Funding, South Asian Diaspora
May 30, 2023 AFRICA / KOREA & JAPAN / NEWSLETTERS Cannes 2023 Recap Part One: Fremaux Under Fire, Awards For Asia & Africa, Arthouse Glimmer Of Hope