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Category: NEWSLETTERS

Hong Kong Convention and Exhibition Centre
March 11, 2023 CHINESE-SPEAKING / NEWSLETTERS

Filmart Returns; Hong Kong’s Political Landscape; China Release Schedule

As Hong Kong comes back to life, Streamlined also decodes the recent success of local films and HBO’s mysterious moves in the region.

November 21, 2022 AFRICA / CHINESE-SPEAKING / NEWSLETTERS / SOUTH ASIA

‘Joyland’, ‘Nice View’, FFI, NSOC And Other Issues Facing The Oscars’ Best International Feature Category

Pakistan, China, India & Nigeria all raised eyebrows with their Oscars submissions this year.

Ajoomma
October 23, 2022 NEWSLETTERS / SE-ASIA / SOUTH ASIA

Busan Business; India Becoming The New China; Southeast Asian Festival Circuit

Busan was busy but how much business was being done? How India’s censorship regime is starting to look a lot like China’s. And Southeast Asia’s new festival circuit.

Shoot
September 26, 2022 MIDDLE EAST / NEWSLETTERS

Saudi Filmmaker Aymen Khoja On How To Build A Film Industry From Scratch

Saudi Arabia is now the biggest box office territory in the Middle East, but its local film industry is still in the very early stages of development.

The Roundup
September 16, 2022 CHINESE-SPEAKING / NEWSLETTERS / SOUTH ASIA

Summer Box Office Picks Up In East Asia, But It’s All About The Blockbusters

Audiences started to return to cinemas this summer, but business is more reliant than ever on a small number of big hits.

September 9, 2022 CHINESE-SPEAKING / NEWSLETTERS / SOUTH ASIA

Can ‘Brahmastra’ Save Bollywood? Why ‘Return To Dust’ Is A Surprise Hit In China

While Bollywood pins its hopes on the release of Brahmastra: Part One – Shiva, arthouse drama Return To Dust becomes a surprise hit in China.

Timo Tjahjanto on the set of his upcoming Netflix movie The Big 4
September 2, 2022 CHINESE-SPEAKING / KOREA & JAPAN / NEWSLETTERS / SE-ASIA / SOUTH ASIA

Streamlined Returns; Summer Streaming Summary; Festival Circuit Redux

As growth begins to stall in more mature markets, the streamers are increasing their focus on producing Asian content.

Palais des Festivals, 75th Festival de Cannes
May 31, 2022 CHINESE-SPEAKING / KOREA & JAPAN / MIDDLE EAST / NEWSLETTERS

So that was Cannes 2022: a return to the new normal

A summary of the major trends to emerge at this year’s Cannes film festival, from the sales business to global production incentives and beyond.

May 13, 2022 CHINESE-SPEAKING / NEWSLETTERS

Why aren’t Chinese films travelling to international festivals?

Chinese cinema is conspicuous by its absence at this year’s Cannes film festival, with only a few short films announced across the official selection and parallel sections.

Doctor Strange In The Multiverse Of Madness
May 6, 2022 CHINESE-SPEAKING / NEWSLETTERS

China Warms Up To Big Tech But Stays Cool On Hollywood

Beijing is reportedly easing its clampdown on local tech giants, but Hollywood imports remain rare.

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LATEST ARTICLES

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  • FESTIVALS: ‘Stonewalling’, ‘Totem’ Win Firebird Awards At Hong Kong Film Festival
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  • FESTIVALS: Indonesia’s ‘Like & Share’ Takes Grand Prix At Osaka Asian 
  • Sasha Chuk’s ‘Fly Me To The Moon’ wins five awards at HAF 
  • FESTIVALS: ‘Mad Fate’, ‘Elegies’ To Open HKIFF
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FESTIVAL UPDATES

Bad Education
April 7, 2023 Liz Shackleton

FESTIVALS: ‘Ajoomma’, ‘Bad Education’ To Open Udine Far East Film Festival 

Like & Share
March 20, 2023 Liz Shackleton

FESTIVALS: Indonesia’s ‘Like & Share’ Takes Grand Prix At Osaka Asian 

Mad Fate
March 12, 2023 Liz Shackleton

FESTIVALS: ‘Mad Fate’, ‘Elegies’ To Open HKIFF

Over My Dead Body
February 16, 2023 Liz Shackleton

FESTIVALS: Osaka Asian To Open With Ho Cheuk Tin’s ‘Over My Dead Body’

Le Spectre De Boko Haram
February 5, 2023 Liz Shackleton

FESTIVALS: ‘Le Spectre De Boko Haram’ Wins Tiger Award In Rotterdam