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Category: FEATURES

August 19, 2022 FEATURES

PROJECT MARKETS: Asian Project Market 2022

Rolling news about project market line-ups from Asia, Africa and the Middle East.

August 18, 2022 FEATURES

FUNDING NEWS: Asian Cinema Fund 2022

Rolling news about funding for projects from Asia, Africa and the Middle East.

April 28, 2022 CHINESE-SPEAKING / FEATURES / KOREA & JAPAN / SOUTH-EAST ASIA

Will Asia’s distribution landscape ever return to normal?

Panellists at Udine’s Focus Asia event debated whether Asia’s theatrical market will ever rebound to pre-pandemic levels.

April 19, 2022 FEATURES / MIDDLE EAST & EUROPE

Cannes 2022: Korean wave, strong Middle East presence, first film from Pakistan

Line-up includes four Korean titles, entries from Iran, Turkey & the Arab world, and a rare film from Pakistan.

April 10, 2022 CHINESE-SPEAKING / FEATURES

Pekingman shoot: Living proof that China co-production still exists

Natacha Devillers shares her experiences of shooting China-France co-production, Pekingman: The Last Secrets Of Humankind.

March 31, 2022 FEATURES / SOUTH-EAST ASIA

Spotlight on Malaysia: Are the global streamers speaking your language?

After being closed to visitors for two years, Malaysia is reopening its international borders to quarantine-free travel on April 1, 2022.

March 11, 2022 CHINESE-SPEAKING / FEATURES

COMING SOON: Hong Kong films in production or awaiting release

Despite the pandemic playing havoc with the release schedules of Hong Kong films, several high-profile titles are being sold at this year’s Filmart Online.

January 13, 2022 CHINESE-SPEAKING / FEATURES / INDIA / KOREA & JAPAN / MIDDLE EAST & EUROPE / SOUTH-EAST ASIA

What impact will the NFTs craze have on the content industries?

As non-fungible tokens sweep Asia, a group of Hong Kong companies are trying to turn the craze into a business model for the film and TV industries.

Trinity Of Shadows
October 22, 2021 FEATURES / SOUTH-EAST ASIA

How local streamers are holding up against global competition in SE-Asia

Asia-based streaming services such as Viu, Vidio and Catchplay are carving out market share in a hotly contested region.

October 21, 2021 CHINESE-SPEAKING / FEATURES / INTERVIEWS / SOUTH-EAST ASIA

INTERVIEW: Catchplay CEO Daphne Yang on entering high-end series production

After launching Screenworks Asia as a joint venture with TAICCA, Taiwan’s Catchplay is aiming to produce 100 hours of content a year.

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LATEST ARTICLES

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  • ROUND-UP: Award Winners From Southeast Asia’s Autumn 2022 Festival Circuit
  • ‘Mithya’, ‘Bahadur’ Win Work-in-Progress Awards At India’s Film Bazaar 
  • NFDC Unveils Work-In-Progress Lab & Film Bazaar Recommends
  • Purin Pictures Awards Grants To Seven Projects In Autumn Funding Round
  • India’s Film Bazaar Announces 20 Projects Selected For Co-production Market
  • Busan Business; India Becoming The New China; Southeast Asian Festival Circuit
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FESTIVAL UPDATES

A New Old Play
August 31, 2022 Staff writers

FESTIVALS:‘A New Old Play’, ‘Mediterranean Fever’ win top awards at HKIFF

Coo-Coo 043
August 30, 2022 Staff writers

FESTIVALS: ‘Coo-Coo 043’, ‘Marry My Dead Body’ to bookend Taipei Golden Horse

Drowning In Holy Water
July 20, 2022 Liz Shackleton

FESTIVALS: ‘Drowning In Holy Water’ takes best film at MIFFEST Awards

July 15, 2022 Liz Shackleton

FESTIVALS: ‘You Won’t Be Alone’ wins best film at BiFan

July 10, 2022 Liz Shackleton

FESTIVALS: Elvis Lu’s ‘A Holy Family’ wins grand prize at Taipei Film Award